September 14, 2011

Editorial

Editorial

Introduction
An editorial is an article that presents the newspaper's opinion on an issue. It reflects the majority vote of the editorial board, the governing body of the newspaper made up of editors and business managers. It is usually unsigned. Much in the same manner of a lawyer, editorial writers build on an argument and try to persuade readers to think the same way they do. Editorials are meant to influence public opinion, promote critical thinking, and sometimes cause people to take action on an issue. In essence, an editorial is an opinionated news story.
An editorial, also called a leading article, is a piece of writing intended to promote an opinion or perspective. Editorials are featured in many newspapers and magazines, usually written by the senior editorial staff or publisher of the publication. Additionally, most print publications feature an editorial, or letter from the editor, sometimes followed by a Letters to the Editor section. The American Society of Magazine Editors has developed a list of editorial guidelines, to which a majority of American magazine editors commonly adhere.
Definition
A leading article in a newspaper or magazine; an editorial article; an article published as an expression of the views of the editor.
An editorial (often leader or leading article in the United Kingdom) is a phrase or article by a news organization newspaper or magazine that expresses the opinion of the editor, editorial board, or publisher. ...
The department within a publishing house responsible for the content of its titles, both by commissioning and acquiring but also subsequently ensuring accuracy and completeness of the finished publication
Ingredients of editorial
Editorials have:
1. Introduction, body and conclusion like other news stories
2. An objective explanation of the issue, especially complex issues
3. A timely news angle
4. Opinions from the opposing viewpoint that refute directly the same issues the writer addresses
5. The opinions of the writer delivered in a professional manner. Good editorials engage issues, not personalities and refrain from name-calling or other petty tactics of persuasion.
6. Alternative solutions to the problem or issue being criticized. Anyone can gripe about a problem, but a good editorial should take a pro-active approach to making the situation better by using constructive criticism and giving solutions.
7. A solid and concise conclusion that powerfully summarizes the writer's opinion. Give it some punch.
Types of editorial
1. Explain or interpret: Editors often use these editorials to explain the way the newspaper covered a sensitive or controversial subject.
2. Criticize: These editorials constructively criticize actions, decisions or situations while providing solutions to the problem identified. Immediate purpose is to get readers to see the problem, not the solution.
3. Persuade: Editorials of persuasion aim to immediately see the solution, not the problem. From the first paragraph, readers will be encouraged to take a specific, positive action. Political endorsements are good examples of editorials of persuasion.
4. Praise: These editorials commend people and organizations for something done well. They are not as common as the other three.
editorial of information ==
== pooled editorial ==
== mood editorial ==
== editorial of interpretation ==
== editorial of criticism ==
== editorial of commendation ==
== special occations ==
== editorial of arguementation =
Functions of writing of editorials
Writing an Editorial
1. Pick a significant topic that has a current news angle and would interest readers.
2. Collect information and facts; include objective reporting; do research
3. State your opinion briefly in the fashion of a thesis statement
4. Explain the issue objectively as a reporter would and tell why this situation is important
5. Give opposing viewpoint first with its quotations and facts
6. Refute (reject) the other side and develop your case using facts, details, figures, quotations. Pick apart the other side's logic.
7. Concede a point of the opposition — they must have some good points you can acknowledge that would make you look rational.
8. Repeat key phrases to reinforce an idea into the reader's minds.
9. Give a realistic solution(s) to the problem that goes beyond common knowledge. Encourage critical thinking and pro-active reaction.
10. Wrap it up in a concluding punch that restates your opening remark (thesis statement).
11. Keep it to 500 words; make every work count; never use "I"
A Sample Structure
I. Lead with an Objective Explanation of the Issue/Controversy.
Include the five W's and the H. (Members of Congress, in effort to reduce the budget, are looking to cut funding from public television. Hearings were held …)
  • Pull in facts and quotations from the sources which are relevant.
  • Additional research may be necessary.
II. Present Your Opposition First.
As the writer you disagree with these viewpoints. Identify the people (specifically who oppose you. (Republicans feel that these cuts are necessary; other cable stations can pick them; only the rich watch public television.)
  • Use facts and quotations to state objectively their opinions.
  • Give a strong position of the opposition. You gain nothing in refuting a weak position.

Mass Communication Glossary

Glossary

Some terms can be useful in providing a common vocabulary with which to discuss journalism.
Advertisement
  • the promotion of a product or service
Advertising manager
  • the person who oversees the sales representatives who sell space to advertisers, and ensures that ads are in the appropriate section
Advertorial
  • an advertisement section in a magazine that looks like an article or a feature
Advocacy
  • a style of journalism in which a reporter takes sides in controversial issues and develops a point of view
  • a style of journalism which is opposite of mainstream journalism, in which reporters are expected to be objective
Angle
  • particular emphasis of a media presentation, sometimes called a slant
Attribution
  • credit given to who said what or the source of facts
B-roll
  • video images shot specifically to be used over a reporter’s words to illustrate the news event or story, to cover up audio edits of quotes (to avoid the jerking head effect), or to cover up bad shots (out of focus, poorly lighted, etc.)
Background
  • information that is not intended for publication

March 19, 2011

International Media Ownership



Concentration of media ownership



Introduction


    Concentration of media ownership is a phenomenon described by politicians and critics of the media. It is characterized by the ownership of a large number of media outlets by a small number of corporations or media conglomerates. The six largest media-owning corporations are, sharing 96% of the market. A state of concentrated ownership can be either a monopoly or an oligopoly. A monopoly exists when a single corporation owns the entire market. In oligopoly media owned by two or more extremely large conglomerates who dominate the market together and compete only with each other. The film and music industries are both oligopolistic.


Cable television and satellite radio may create some media variety in concentrated local markets. However, the cable stations are standardized across the nation, and most are still owned by a small number of corporations.

Newspapers and magazines are also generally concentrated in ownership. This is true even of some local independent.

Definitions: 
Concentration of media is the relative proportion between two quantities: first, the numbers of people or parties who own, control, or influence a given medium; and second, the numbers of people or parties who are exposed to, affected by, or influenced by, that medium.

Concentration of media ownership/Media Consolidation is also refers to the view that the majority of the major media outlets are owned by a proportionately small number of conglomerates and corporations.


Background
Marxist Political Economy
       Marx’s view of the economic organisation of society along capitalist lines was less sanguine then that of classical political economists. While he accepted capitalism created wealth, he also emphasized it generated vast disparities in the distribution of resources and life opportunities within society. For Marx the key characteristic of the growth of capitalism was the ownership and control of the means of production by a small number of people; in other words the levers of economic power rest in the hands of the few. These few constitute a ‘ruling class’ which uses its power to further its interest and protect its position and influence in society. The main interest of this class is to amass more and more profits. This however can only be done at the expense of other classes in society.

      Marx underlined the need to see the ‘ownership and control of communication as part of the overall structure of property and power relations’. Marx predicted that capitalist enterprises would grow in size so that in the future a smaller and smaller number of companies would control the market. This has certainly been a feature of the growth of the media industries since 1945.
FCC Adopts Media Ownership Limits
      Early communications policy started out strongly in favor of preserving and ensuring diverse sources of information as a cornerstone of a functioning democratic society. In 1941, the Federal Communications Commission (FCC) began adopting strong rules to preserve diversity on the airwaves.

       Through a series of actions that spanned from then until the 1970s, the FCC adopted rules that restricted the number of local radio stations one company could own, limited the national audience reach for one broadcaster, restricted companies from owning multiple TV stations in a local market and banned the ownership of both a newspaper and a television station in the same market. Each of the FCC's early efforts to maintain some restrictions on media ownership was based on the widely-held belief that media concentrated in the hands of too few companies could threaten access, diverse viewpoints and local news and information. In 1975, the Federal Communications Commission adopted a rule called the newspaper / broadcast cross-ownership ban which prohibited a newspaper and a broadcast or radio station from being co-owned if located in the same market. One company was prohibited from owning both a newspaper and a TV broadcast station in the same market.
Media Consolidation Begins

       By the beginning of the 1980s, the Reagan Administration, the FCC and Congress embarked on a deregulatory approach toward communications policy and began chipping away at the protections in place for ensuring media diversity. In 1981, Deregulation by FCC and Congress took place. This first round of deregulation allowed a company to own up to 12 TV stations (up from seven), as long as those stations did not reach more than 25 percent of the population.


Political economy of media
     Political economists like Golding and Murdock (1997) see the relationship between ownership and control as an indirect and mediated one. Control is not always exercised in a direct way, nor does the economic structure of media institutions always have an immediate impact on their output. Mainstream communication researchers criticize the conspiracy theories of the media on theoretical as well as on empirical grounds, arguing that political economists’ views are supported only by anecdotal evidence. Since the 1980s, there have been a lot of corporate mergers and buyouts in the media and entertainment industry. As a result, mainstream media has become more concentrated due to ownership and influence from advertisers.



We are here to serve advertisers. That is our raison d’etre,” said the CEO of CBS.

    Media consolidation increases day b day as In 1983, fifty corporations dominated most of every mass. And in 1987, the fifty companies had shrunk to twenty-nine. Further, The Cable Act of 1992 gave broadcasters the power to demand "bundled programming”. So In 1997, the biggest firms numbered only ten. Such concerns increase the importance of study about media ownership. As Strinati (1995: 137) argues, its structure of ownership and control are equally crucial.
Media Moguls
     Jeremy Tunstall &Michael Palmer wrote a book titled Media Moguls and discussed the concentration of media ownership by presenting different case studies about European Media. He provided the details of the emergence of a few very powerful individuals in control of large sections of world communications industries during an era of media de-regulation. He discussed media lobbies and found two big countries America and England who are controlling media. He viewed that internationalization is a major reason of media consolidation. He gave concepts of ‘One-off’ Media & ‘cash-flow’ Media. Certain types of media content lend themselves to globalization of ownership and control of production and distribution. This includes feature films, popular music recordings, TV serials and books etc named as One-Off Media. The other concept is of ‘Cash-Flow’ Media, which consists of newspaper and television stations not help in the globalization of media. Later Tunstall discussed about the earlier bigger mergers of media in world in 1989 like Time Warner Merger and Sony Takeover of Columbia Pictures

Media Ownership – Does It Matter? 

    According to William Melody, the greatest threat to freedom of expression in the United States or elsewhere is the possibility that private entrepreneurs will always tend to monopolise the marketplace of ideas in the name of economic efficiency and private profit (Melody 1978).

     The problem of media ownership and concentration is perceived quite differently from a political economy perspective. In this context, the mass media industry is said to play a significant role in legitimating inequalities in wealth, power and privilege. When the control of the flow of information, knowledge, values and images is concentrated in the hands of those who share the power of the dominant class, the ruling class will establish what is circulated through the mass media in order to reproduce the structure of class inequalities from which they benefit. The mass media industry is crucial for the creation of reliable information, knowledge, ideology and propaganda in contemporary capitalist societies.

So the researcher Werner A. Meier raised following questions:

What is the real harm of conglomerates, group ownership and the concentration of financial, political and social power in the hands of only a few firms?
What standard of ownership concentration is economically and politically appropriate and what is socially acceptable?

Importance of understanding the Media Ownership

    Denis McQuail raised the question that How the powers of ownership are exercised? This question clearly shows the importance about getting knowledge of the policies of media owners. Althusull (1984) present the second law of journalism:

Second law of journalism: the content of the media always reflect the interests of those who finance them.

     According to William Melody, the greatest threat to freedom of expression in the United States or elsewhere is the possibility that private entrepreneurs will always tend to monopolize the marketplace of ideas in the name of economic efficiency and private profit (Melody 1978). Researchers prove that the results of media consolidation are not good and favourable to society. The result is that what most people hear and see in the mass media is remarkably uniform in content and world-view (Neuman, 1991). Gomery (2000) argues that ‘no research in mass communication can ignore questions of mass media ownership and the economic implications of that control’.


Media conglomerate

     Global conglomerates can at times have a progressive impact on culture, especially when they enter nations that had been tightly controlled by corrupt crony media systems (as in much of Latin America) or nations that had significant state censorship over media (as in parts of Asia). The global commercial-media system is radical in that it will respect no tradition or custom, on balance, if it stands in the way of profits. But ultimately it is politically conservative, because the media giants are significant beneficiaries of the current social structure around the world, and any upheaval in property or social relations particularly to the extent that it reduces the power of business is not in their interest(Robert W. McChesney, 1999).

     A media conglomerate describes companies that own large numbers of companies in various mass media such as Television, radio, publishing, Movies, and the Internet. It is also referred to as media institutions and media groups. Media conglomeration has been an increasing concern for media watchdogs. As recently as August of 2007, alerts were sounded when NewsCorp, the conglomerate of Rupert Murdoch purchased the Dow Jones Company, which publishes the Wall Street Journal. Viacom's purchase of Paramount, CBS and Blockbuster Video enables them to use cable, television, movies, comic books, theme parks, music publishing and book publishing to cross-market their products


Media Conglomeration and the News

     With the increase in the trend of media consolidation, it is observed that news are effecting badly. So, Federal communication commission put bans on concentration of ownership, but on the name of diversification, internalization and economic profit owners find their way to rule on the minds through the power of consolidated media. They Promote diversified mass communication for their own interest. In the result, the credibility of news start declining. We are moving in conflicting directions where we have more outlets for news but fewer owners.


International Media Owners

Six Companies Own 96% of the World’s Media

Walt Disney

     The largest media conglomerate today is Walt Disney Company, whose chairman and CEO, Michael Eisner, is a Jew. The Disney Empire, headed by a man described by one media analyst as a “control freak”, includes several television production companies (Walt Disney Television, Touchstone Television, and Buena Vista Television), its own cable network with  millions subscribers, and much more.

Time Warner

     Time Warner, Inc, is the second of the international media leviathans. The chairman of the board and CEO, Gerald Levin, is a Jew. In addition to cable and music, Time Warner is heavily involved in the production of feature films (Warner Brothers Studio) and publishing. Turner made a fortune in advertising and then had built a successful cable-TV news network, CNN. Turner had never taken public positions contrary to Jewish interests; he is a man with a large ego and a strong personality and was regarded by Chairman William Paley a loose cannon that might at some time in the future turn against them.


Rupert Murdoch’s News Corporation

    In the media world number three on the list is Rupert Murdoch’s News Corporation, which owns Fox Television and 20th Century Fox Films. News Corporation often abbreviated to News Corp., is the world's third-largest media conglomerate (behind The Walt Disney Company and the Time Warner Company) as of 2008, and the world's third largest in entertainment as of 2009. The company's Chairman & Chief Executive Officer is Rupert Murdoch. At present, News Corporation is headquartered at 1211 Avenue of the Americas (Sixth Ave.), in New York City, in the newer 1960s-1970s corridor of the Rockefeller Center complex.


Viacom, Inc

    Viacom, Inc, headed by Sumner Redstone (born Murray Rothstein), a Jew, is the fourth largest mega media corporation. Viacom, short for "Video & Audio Communications", is a United States-based media conglomerate with interests primarily in, but not limited to, cinema and cable television. As of 2010, it is the world's fourth-largest media conglomerate, behind The Walt Disney Company, Time Warner and News Corporation. It also continues to focus on its own in-house productions made for its various networks (MTV, VH1, Nickelodeon, etc.).

Japanese Sony Corporation

Number five is the Japanese Sony Corporation, whose U.S. subsidiary, Sony Corporation of America, is run by Michael Schulhof, a Jew.


New World Entertainment

New World Entertainment, proclaimed by one media analyst as “the premiere independent TV program producer in the United States,” is owned by Ronald Perelman, a Jew.


Media Conglomeration in Pakistan

     Media conglomerates also getting strong in Pakistan day by day; five major media groups control the majority of the mainstream media in Pakistan. The Pakistani media grow mostly vertically but horizontal concentration is also present to some extent. Pakistan’s media elites invest hugely in the material development of their networks but no such generosity is evident in providing a comfortable working environment to their employee



Why the media conglomerates?

The reasons of the growth of media conglomerates are following: 
Economic profit: Economies of scale Free Marketplace Model Global interlocking of the Media and Cartel 

      Cartel can be defined as a formal (explicit) agreement among competing firms. It is a formal organization of producers and manufacturers that agree to fix prices, marketing, and production. Cartel encourages the spread of certain values for example, consumerism, shareholder value, individualism, egoism, etc. “Virtual reality'' created by media cartel.


Impacts of media cartel


 Strong incentives for the displacement of the public sphere with commercial infotainment, reality shows and trivialized news programmes   The competition has reduced itself to attracting viewers through sensationalism etc rather than quality, detailed reporting etc.   Corrosive influence on journalism: the news divisions of the media cartel appear to work against the public interest—and they work for their parent companies 




Effects of Media Giants/ Oligopolies


It is useful to remind ourselves that free expression is threatened not just blatantly by authoritarian governments and all those in the private sector who fear public exposure, but also more subtly by the handful of global media conglomerates that have reduced meaningful diversity of expression in much of the globe.                   (Gerald Caplan, 1997)





    The most common assumption is that the owners of the media influence the content and form of media content through their decisions to employ certain personnel, by funding special projects, and by providing a media platform for ideological interest groups. The growth of giant multinational media corporations means that unelected business tycoons can hold enormous power (Giddens, 1999).


     These media tycoons results in the trivialization and personalization of news and political issues in their own interest. The fewer people have all power to affect society. They form oligopolies and opposed the free health competition in the market.


     Concerns are expressed about increasing corporate control of mass mediated information flows and about how democracy can function if the information that citizens rely on is tainted by the influence of mega-media (Bagdikian 2000; McChesney 2000; Herman 1998).

      The media conglomerates Dissect and attack news reports for their own benefits, they don’t go for impartiality and objectivity, they just promote those news which favours them and which is more sensational news so that they can earn more profit. All of this result in great deeper social loss. People don’t get true; they get only that news which media want to tell them.


     Self-serving censorship of political and social ideas, in news, magazine articles, books, broadcasting, and movies are common under the media ownership policies. Some intervention by owners is direct and blunt. There are strong incentives for the displacement of the public sphere with commercial infotainment, reality shows and trivialised news programmes. This strengthens a conservative ‘common sense’ view of the world, eroding local cultures and communities. Media Power’s Expansion to Political Power is increasing day by day, media owners’ impacts on political decisions by using their power. The economic strength of media conglomerates increases their position in society so that they become powerful institutions with substantial political power.


      According to Bagdikian (2000: viii) the largest media giants have achieved alarming success in writing the media laws and regulations to favour the interests of their corporations rather than the interests of the general public.


    The media conglomerates are often more cooperative than competitive, with an increasing number of strategic alliances and joint ventures. No criticism about economic, political or other policies that go against the interest of that parent company. They form Global interlocking of the Media and Cartel to reduce the competition. So, it results in low quality of programs. The global interlocking of the media industry and traditional corporate power creates a powerful cartel, which in turn encourages the spread of certain values (for example, consumerism, shareholder value, individualism, egoism, etc.). There are strong incentives for the displacement of the public sphere with commercial infotainment, reality shows and trivialised news programmes. This strengthens a conservative ‘common sense’ view of the world, eroding local cultures and communities. As a consequence of the increasing influence of the media conglomerates on public opinion, there is little substantive coverage of the spectacular media deals in terms of the perceived effects of these deals. In most cases, journalists are directly affected but they do not report their own concerns (probably because of internal pressure). Media owners are keen to advertise the advantages of horizontal, vertical, diagonal and international concentration.


    In the end, it is clear that the fewer and fewer players in the media market are playing with the whole society on the name of profit and diversification. Some see the concentration of media ownership as having a negative effect on the market and on society as a whole. Others argue that there are benefits to this concentrated market structure.

    Proponents of oligopolistic media market structures say that media conglomerates can run the media more efficiently and cost effectively than a host of small local stations. This is because production costs decrease as certain tasks are merged and standardized across a large number of stations. This should give them the necessary capital to meet the specific needs of local markets while competing with other national and international media conglomerates.


Critics say that competition is nonexistent when there are so few corporations to compete. When there is no competition, consumer costs rise and the quality of service diminishes. This is especially true in the case of a monopoly. There are also concerns about whether the views being expressed by the mass media reflect the diversity of the communities served. When the media is standardized, these critics assert, opinions become standardized as well.








References:



Articleworld.org. (n.d.). Concentration of media ownership. Retrieved December 12, 2010, from http://www.articleworld.org/index.php/Concentration_of_media_ownership
Bagdikian, B. (2006). The New Media Monopoly. Beacon Press: Boston

Golding, P., & Murdock, G. (1997). The political eonomy of media. In books.google.com.pk. Retrieved from http://books.google.com.pk
Gomer, D. (2000). Interpretating Media Ownership. Retrieved, from http://books.google.com.pk
McChesney, R. W. (1999). The New Global Media; It’s a Small World of Big Conglomerates. The Nation MagazineW. Russell Neuman, W. R. (1991). The future of the mass audience. Retrieved from http://books.google.com.pk
Media ownership. (n.d.). In hearusnow.org. retrieved from http://www.hearusnow.org/mediaownership/25/

Strinati, D. (2000). An introduction to studying popular culture. In books.google.com.pk. retrieved from http://books.google.com.pk

Wikipedia.org. ( n.d.). Concentration of media ownership.   Retrieved December 12, 2010, from http://en.wikipedia.org/wiki/Concentration_of_media_ownership
Werner A. Meier, W.A, (2002). Media Ownership: Does it matter?. Retrieved, from http://lirne.net/resources/netknowledge/meier.pdf

January 23, 2011

One Dimensional Man by Herbert Marcuse

One Dimensional Man
By Herbert Marcuse

Critical Theory

A specific range of Marxist approaches common among the members of the Frankfurt School, thus not to be confused with the generic phrases “theories that are critical” or “theories about criticism.” Critical theory rejects positivism and value-freedom in science and dogma in Marxism, advocating instead an open-ended, continuously self-critical process that will eventually contribute to social reform.

Definition

Generally, Critical Theory is a broad approach to challenging and destabilizing established knowledge. In a more focused sense, Critical Theory comes out of the German 'Frankfurt School,' (who called it Critical Theory of Society or Critical Social Theory) which emphasizes that all knowledge is historical and biased, and that 'objective' knowledge is illusory.

Discussion

Critical Theory starts from Marx and Freud and expands through the 20th century to cover areas such as literary criticism, linguistics, psychology, philosophy, feminism, screen theory, and includes methods such as structuralism, post-structuralism, deconstruction and postmodernism. Critical Theory is such a huge area, it is almost impossible to cover it in total depth.

The Frankfurt School
            The "Frankfurt School" refers to a group of German-American theorists who developed powerful analyses of the changes in Western capitalist societies that occurred since the classical theory of Marx. Working at the Institut fur Sozialforschung in Frankfurt, Germany in the late 1920s and early 1930s, theorists such as Max Horkheimer, T.W. Adorno, Herbert Marcuse, Leo Lowenthal, and Erich Fromm produced some of the first accounts within critical social theory of the importance of mass culture and communication in social reproduction and domination. During the 1930s, the Frankfurt school developed a critical and transdisciplinary approach to cultural and communications studies, combining political economy, textual context of industrial production, in which the commodities of the culture industries exhibited the same features as other products of mass production: commodification, standardization, and massification.
The Frankfurt School of 'critical theory' was regarded by orthodox Marxists as 'revisionist' partly because it criticised economism and crude materialism, and partly because of its eclecticism. In media theory it is important for offering the first Marxist attempt to theorize about the media (Gurevitch et al. 1982: 8). However, it provided no real way forward for the study of the mass media (Curran et al.1982: 23).
For Marcuse, the mass media defined the terms in which we may think about the world (Bennett 1982: 44). The Frankfurt School in general was profoundly pessimistic about the mass media. As the Janet Woollacott wrote about them that their work 'gives to the mass media and the culture industry a role of ideological dominance which destroys both bourgeois individualism and the revolutionary potential of the working class' (Woollacott 1982: 105).

The Institute for Social Research was established in Frankfurt in 1923, and was exiled to New York when Hitler rose to power in 1933; most writers associated with the 'Frankfurt School' returned Germany in 1949. Herbert Marcuse remained in America, and his book, One Dimensional Man, 1964, represents a critique of American 'totalitarianism', based on the notion that American society and culture denied people any real alternative to existing thought and action. It was a key book of the sixties New Left.

With the growth of advanced industrial society during the Cold War era, critical theorists recognized that the path of capitalism and history had changed decisively, that the modes of oppression operated differently, and that the industrial working class no longer remained the determinate negation of capitalism. This led to the attempt to root the dialectic in an absolute method of negativity, as in Marcuse's One-Dimensional Man (1964) and Adorno's Negative Dialectics (1966).
  

The Frankfurt School was influenced by predominantly conservative notions of 'mass society', though it gave this perspective a leftist slant (Bennett 1982: 42). The 'father of the New Left', Herbert Marcuse, in One-Dimensional Man (1972), presented the media very pessimistically as an irresistible force:
The means of... communication..., the irresistible output of the entertainment and information industry carry with them prescribed attitudes and habits, certain intellectual and emotional reactions which bind the consumers... to the producers and, through the latter to the whole [social system]. The products indoctrinate and manipulate; they promote a false consciousness which is immune against its falsehood... Thus emerges a pattern of one dimensional thought and behaviour. (Marcuse, cited in Bennett, 1982: 43).

Herbert Marcuse, One Dimensional Man, 1964, felt that the apparent logic of the capitalist system, including the output of the 'entertainment and information' industries, bound consumers to the system. The products indoctrinate and manipulate, promoting a false consciousness.


Herbert Marcuse Structure Analysis


The Great Refusal                   Eros & Civilization                 One Dimensional Man
(1941)                                      (1955)                                                  (1964), (1972)

The Frankfurt School try to define the fate of reason in new historical period and Marcuse do this through analysis of structural changes in Labour process under capitalism & inherent. Herbert Marcuse drawing on Hegel, Marx, Freud, put forward a theory of “The Great Refusal’’, meaning that individual should reject the existing social order as repressive & conformist without waiting for a revolution.

Marcuse wrote the works which are most influential among young radicals today – is marked by two principal features. There is a growing concern with the possibilities of man as they might be realized in a genuinely human society. This is the central theme of Eros and Civilization (1955), in which Marcuse, developing some concepts of Freud, projects the image of a “non-repressive civilization.” At the same time he exhibits growing doubt that the working class remains capable of playing the role assigned to it by Marxist theory, of fundamentally transforming basic social institutions so that these as yet unfulfilled possibilities of man could begin to be realized.
The Marcuse’s thought has found its most systematic formulation in One Dimensional Man (1964). There Marcuse develops the concept of a contemporary industrial society exempt from basic change, and seeks to explain how it has happened that the once revolutionary working class has become a prop of the existing order.
"If we attempt to relate the causes of the danger to the way in which society is organized and organizes its members, we are immediately confronted with the fact that advanced industrial society becomes richer, bigger and better as it perpetuates the danger. The defense structure makes life easier for a greater number of people and extends man's mastery of nature. Under these circumstances, our mass media have little difficulty in selling particular interests as those of all sensible men. The political needs of society become individual needs and aspirations, their satisfaction promotes business and the commonweal, and the whole appears to be the very embodiment of Reason."
Herbert Marcuse
One Dimensional Man

Herbert Marcuse's philosophical treatise examines the political, social, and cultural controls that reduce the dimensions of individuals in an industrial state. He perceives the association of capital and technology as constituting new forms of social control and domination—

A One Dimensional Man formed from a One-Dimensional Society that frames a One-Dimensional Thought.
"The capabilities (intellectual and material) of contemporary society are immeasurably greater than before--which means that the scope of society's domination over the individual is immeasurably greater than ever before. (Herbert Marcuse, One Dimensional Man)

Marcuse also analyzed the integration of the industrial working class into capitalist society and new forms of capitalist stabilization, thus questioning the Marxian postulates of the revolutionary proletariat and inevitability of capitalist crisis. In contrast to orthodox Marxism, Marcuse championed non-integrated forces of minorities, outsiders, and radical intelligentsia, attempting to nourish oppositional thought and behaviour through promoting radical thinking and opposition. He considered the trends towards bureaucracy in supposedly-Marxist countries to be as oppositional to freedom as those in the Capitalist west.
One Dimensional Man offers a wide-ranging critique of both contemporary capitalism and the society in the Soviet Union, documenting the parallel rise of new forms of social repression in both these societies as well as the decline of revolutionary potential in the West. He argued that "advanced industrial society" created false needs, which integrated individuals into the existing system of production and consumption via mass media, advertising, industrial management, and contemporary modes of thought.

  • Advance industrial Society produced 
  •      False Needs , which results into 
  • Integrated Individuals into the existing system of production and consumption

This result in a "one-dimensional" universe of thought and behaviour in which aptitude and ability for critical thought and oppositional behaviour wither away. Against this prevailing climate, Marcuse promotes the "great refusal" (described at length in the book) as the only adequate opposition to all-encompassing methods of control. Much of the book is a defence of "negative thinking" as a disrupting force against the prevailing positivism.

The Search for Freedom
According to Herbert Marcuse the people will free, when they can determine what they really need or want to be, and we are not yet free, we have false needs.

Marcuse believes that people are not free because they function within systems such as the economy. If people were really free, they would be free from these systems. For example, people would only have to work as little as possible to provide for their needs, not an established amount of time. He states that only when people are free from these systems can they determine what they really need or want. Because we are not yet free, we have "false needs". These needs are exemplified by the range of choices which we are offered in our economy. However, each of these choices reinforces the social norms that now exist. Because each choice has the same result (reinforcement of social norms), there is no real choice. Marcuse says highly advanced societies are welfare/warfare states. Welfare states restrict freedom because they limit free time, access to necessary goods and services, and citizen's ability to realize true self-determination. The warfare state hinders a true analysis of society because it keeps people focused on fighting the "enemy" instead of focused on internal social problems.
Marcuse's analysis of highly advanced societies is accurate and useful. However, he does not provide realistic solutions to the problems he raises. His point seems to be that if societies can learn to use technologies in ways that benefit citizens, instead of restricting them, then the problems of humans will be solved.
Marcuse’s central theme is that the two-dimensional society of the past has been converted into a one-dimensional apparatus. The basic dimension of previous society was the material domain of production and reproduction; its second dimension was a mental sphere where men could dream, think and imagine a better world and thereby recognize the misery of the existing circumstances. This dimension was potentially profoundly critical of the existing social world, because within it men could confront reality in the light of their unactualized possibilities. In this historical situation, the conditions of the revolutionary socialist movement were created. Philosophy found its material weapons in the proletariat, and the proletariat found its mental weapons in philosophy.
But today, in the emerging advanced industrial society, all this has changed. The two sources of two-dimensional life have been destroyed. Through compulsive consumption and the implanting and satisfaction of “false needs,” through an erotic engineering, through the media which manipulate the mind, the instinctual drives which once tended to throw the individual into opposition to his society have been transformed into the very means of binding him to it. At the same time, the rising standard of living and the improved working conditions progressively diminish the misery suffered by the workers.
In such a one-dimensional society, the sense of alienation, hostility and aggression do not disappear. But they lose their potentially oppositional character and themselves become elements of manipulation, whether by the ruling social groups or by the autonomous functioning of the totalitarian administrative apparatus itself. Aggression is channelled against international communism – the permanent “Enemy” – as well as against racial and cultural minorities: blacks, hippies and radicals. Through such diversion hostility becomes strong cement rather than a threat to the existing order.
Such a society tends to become an apparatus in which all men, things and processes are objects of total, rational administration, and all social relations tend to become technical relations. Men are increasingly related to one another as parts of a coordinated and well-functioning mechanism rather than as conscious creators, co-operators and contestants. Spontaneity is liquidated, in consciousness as well as in personal and social behaviour.
The theory of capitalist society as developed by Marxism and Marcuse’s theory of industrial society are in contradiction at a basic point. Capitalism itself sets a limit to the trend toward total administration. In capitalist economy, one can only immediately administer what falls within the circle of one’s private property, either as a thing one owns or as a man whose labour-power has been purchased. Capitalist economy remains private and anarchic, not subject to an overreaching administration, however much the scope of state intervention may have expanded. Yet Marcuse, while proclaiming that advanced industrial society is a specific and necessary stage of capitalist development, systematically ignores the regions of contradiction that arise from its very structure.
How One Dimensional Society formed? (Marcuse view with the help of passages’ taken from One Dimensional Man)
Democratic revolutions ushered in the industrialized capitalist system and succeeded because of their recognition of rights and liberties. Rights and liberties outdated the feudal systems and protected self-powered enterprises. After the completion of the democratic revolutions--that resulted in the demise of the feudal systems and the establishment of the industrial systems--rights and liberties became less vital.
"The rights and liberties which were such vital factors in the origins and earlier stages of industrial society yield to a higher stage of this society: they are losing their traditional rationale and content. Freedom of thought, speech, and conscience were--just as free enterprise, which they served to promote and protect--essentially critical ideas, designed to replace an obsolescent material and intellectual culture by a more productive and rational one. Once institutionalized, these rights and liberties shared the fate of the society of which they had become an integral part. The achievement cancels the premise." (Herbert Marcuse, One Dimensional Man)

An extensive prosperity satisfies basic wants. The satisfaction distracts people from argument--from observation and critical analysis: "Independence of thought, autonomy, and the right to political opposition are being deprived of their basic critical function in a society which seems increasingly capable of satisfying the needs of the individuals through the way it is organized." Advanced industrial societies harness technology, science and mechanics to increase their production capacity. The machine becomes the most powerful political instrument and surpasses the political power of any individual or group. Marcuse treats this phenomenon in a positive manner. "To the extent to which the work world is conceived of as a machine and mechanized accordingly, it becomes the potential basis of a new freedom of man." This does not imply the socialization of economic life. Those who operate in the workplace are the masters of the machine. By combining their efforts they can replace the power of the managers and corporate leaders and super cede those who use profits for exercising political control and use the control for their own advantage.
The needs of the One Dimensional Man are pre-conditioned. The pre-conditioning is subjected to additional indoctrination by a standardized media. The media teaches " to behave and consume in accordance with the advertisements, to love and hate what others love and hate... "Social interests impose "false" needs. The "false" needs can gratify the individual but they "perpetuate toil, aggressiveness, misery and injustice." The endless drives for these endless "false" needs require additional efforts, and brings frustration and despair that create hostility.
Liberty gives a wide range of choices but does not permit the individual to determine what can be chosen and what is chosen. Liberty cannot define the number of hours people are willing to work to fulfill their needs. Products serve to indoctrinate and manipulate. The indoctrination "becomes a way of life. It is a good way of life--much better than before--and as a good way of life it militates against qualitative change. Thus emerges a pattern of one dimensional thought... One-dimensional thought is systematically promoted by the makers of politics and their purveyors of mass information."

The One Dimensional Society Frames the One Dimensional Thought

Herbert Marcuse wrote in his book:
"The technological and the pre-technological stages share certain basic concepts of man and nature which express the continuity of the Western tradition. Within this continuum, different modes of thought clash with each other; they belong to different ways of apprehending, organizing, changing society and nature. The stabilizing tendencies conflict with the subversive elements of Reason, the power of positive with that of negative thinking, until the achievements of advanced industrial civilization leads to the triumph of the one-dimensional reality over all contradiction."

The American democratic society moves forward with two prominent features; (1) as a "warfare state" for expanding economic reach and preventing external challenges to military might, and (2) as a "welfare state" for distributing prosperity and preventing internal challenges to social and economic dislocations. Thoughtful responses to these challenges, such as pacifism, end to permanent mobilization, more direct distribution of wealth, etc., are regarded as a social and unpatriotic. Even those who believe they express their own thoughts, often have these thoughts unknowingly shaped by covert domination and manipulation: "For the established universe of discourse bears throughout the marks of the specific modes of domination, organization, and manipulation to which the members of a society are subjected. People depend for their living on bosses and politicians and jobs and neighbours who make them speak and mean as they do; they are compelled by societal necessity, to identify the 'thing' with its functions."
            Increased prosperity has brought increased uniformity of thought. Large scale protests against U.S. government policies have declined dramatically since the Vietnam War days. Continuous military solutions to disputes, that feature attacks on defenceless nations, are supported by a society that has narrowed the dimensions of its reasoning. The university, previously a multi-dimensional depository of youthful criticism and movements, has become prominently directed to a singular purpose--to educate for incorporation into a corporate society. Marcuse predicted these occurrences. He takes liberties with language, and uses a rhetorical strategy to reach significant conclusions:

"The totalitarian dimensions of the one-dimensional society render the traditional ways and means of protest ineffective--perhaps even dangerous because they preserve the illusion of popular sovereignty. This illusion contains some truth: 'the people', previously the ferment of social change have 'moved up' to become the ferment of social cohesion. Here rather than in the redistribution of wealth and equalization of classes is the new stratification of advanced industrial society."

Criticism
Orthodox Marxists and academic theorists criticize the work of the Herbert Marcuse on the following grounds;-

Pessimism approach
Herbert Marcuse's (1972) portrayal of the power of the mass media tended to cast audiences as passive victims, neo-Marxist stances have typically come to grant more active roles to audiences. As Curran et al. put it, whilst dominant Meaning systems are seen as 'moulded and relayed' by the mass media, they are also seen as 'adapted by audiences and integrated into class-based or "situated" meaning systems' (Curran et al. 1982: 15).

Difference in Method between Marcuse and Marxists 
The proposition of Marcuse that the working class has become such a conservative element as a consequence of structural changes in capitalist society – is not the result of any new theoretical discovery. Nor is it a further consequence of applying the Marxist method which earlier enabled Marcuse to recognize the working class as a revolutionary agent. His change of view comes from the fact that by and large for the past 20 years the working class in the most advanced capitalist countries has shown few signs of any revolutionary activity. By accepting this fact as the overriding reality to guide his analysis of social phenomena, Marcuse departs from the method of historical materialism.
Marcuse himself apparently does not recognize his shift in method. He asserts in good faith that he remains a Marxist; that it is objective social reality and not his method of thought that has changed. In fact he does cling to the Marxist tradition in two important methodological respects as well as in one important theoretical conclusion. First of all his method is dialectical, in the sense that it is aimed at the discovery and exposure of contradiction. However – and this point is of decisive importance for the difference between Marcuse’s present method and that of Marxism – the sphere within which he now seeks to lay bare contradiction is much narrower and even of another order than the sphere in which the Marxian dialectician pursues the moving forces of things.
Secondly, Marcuse shares with Marxism the mandate to unite theory with action. For him, the function of theory is to produce true consciousness where hitherto false consciousness prevailed, so that men can act against their enslaving social conditions. Marcuse frequently defends himself against charges of “quietism,” of cultivating a purely contemplative attitude. But his activist intention is continually frustrated by the image of the social world that is presented in his theory. That rests on the conception that the social world has become, in principle, unchangeable.
Finally, Marcuse shares with Marxists the conviction that the only potentially, ultimately world-transforming agency in the modern world is the working class. Only, contrary to Marxism, he holds that this force can no longer realize that potential. This is the source of his almost unrelieved pessimism: If the working class will not change the world, the world will not be changed.
This difference in method between Marcuse and Marxists is detectable in a passage from One Dimensional Man where Marcuse states his view on the difference in the “position” of social theory, that is, its relation to reality, today and at the time when Marx was first developing his doctrine:
“At its origins in the first half of the 19th century, when it elaborated the first concepts of the alternatives [to the prevailing social order], the critique of industrial society attained concreteness in a historical mediation between theory and practice, values and facts, needs and goals. This historical mediation occurred in the consciousness and in the political action of the two great classes which faced each other in the society: the bourgeoisie and the proletariat. In the capitalist world, they are still the basic classes. However, the capitalist development has altered the structure and function of these two classes in such a way that they no longer appear to be agents of historical transformation ... In the absence of demonstrable agents and agencies of social change, the critique is thus thrown back to a high level of abstraction. There is no ground on which theory and practice, thought and action meet.” (Herbert Marcuse, One Dimensional Man)

The theory of capitalist society as developed by Marxism and Marcuse’s theory of industrial society are in contradiction at a basic point. Capitalism itself sets a limit to the trend toward total administration. In capitalist economy, one can only immediately administer what falls within the circle of one’s private property, either as a thing one owns or as a man whose labour-power has been purchased. Capitalist economy remains private, not subject to an overreaching administration, however much the scope of state intervention may have expanded. Yet Marcuse, while proclaiming that advanced industrial society is a specific and necessary stage of capitalist development, systematically ignores the regions of contradiction that arise from its very structure.

The sometimes extensive, but always limited, degree of control that monopolies have over their markets presupposes the basically uncoordinated, anarchic character of the economy. The administrative efforts on the part of the state to regulate and control the crises caused by the anarchy of production presuppose this anarchy of production.

And the conflict between capitalist nations, which is perennially reproduced, sometimes in the form of open military conflict, sometimes in more subdued and subtle forms, testifies to the contradictions that arise between antagonistic national capitalist interests.

But in Marcuse’s theory, all these areas of conflict which are beyond any central administrative control, national or international, appear as incidental “frictions” slightly disturbing the smooth functioning of the mechanism, or as archaic residues of a past society, which are only temporarily beyond the administrative reach of advanced industrial society.

Even if it is difficult to accept all the propositions of Marcuse's "One Dimensional Man," its discourse freshens thought, illuminates life and brings us all to a more meaningful dimension.